1
00:00:05,540 --> 00:00:14,420
[Muziki]

2
00:00:28,640 --> 00:00:31,180
yeye

3
00:00:31,180 --> 00:00:33,800
[Muziki]

4
00:00:33,800 --> 00:00:36,840
dutu ilikuja uh baada ya mimi kufanya

5
00:00:36,840 --> 00:00:38,879
kulipiza kisasi na nilikuwa nikijiuliza mimi ni nini

6
00:00:38,879 --> 00:00:41,320
alitaka kufanya ijayo na nilihisi kwa ajili yangu

7
00:00:41,320 --> 00:00:44,719
ulikuwa wakati wa kuchunguza kwa undani zaidi a

8
00:00:44,719 --> 00:00:47,239
mandhari ambayo nimeishi nami nadhani yangu

9
00:00:47,239 --> 00:00:50,480
maisha yote kuhusu jinsi ninavyohisi kuwa a

10
00:00:50,480 --> 00:00:52,680
mwanamke kwa jinsi ninavyotazamwa njiani

11
00:00:52,680 --> 00:00:55,800
Ninahukumiwa na jinsi inavyoathiri sana

12
00:00:55,800 --> 00:00:58,199
uhusiano wangu na jamii na

13
00:00:58,199 --> 00:01:00,519
ulimwengu na sinema pointi na

14
00:01:00,519 --> 00:01:03,600
wakati ambapo nilikuwa nimepita 40s yangu nilikuwa

15
00:01:03,600 --> 00:01:05,840
kuelekea miaka yangu ya 50 na nilikuwa naanza

16
00:01:05,840 --> 00:01:10,280
kuwa na vurugu hizo mambo ili sawa

17
00:01:10,280 --> 00:01:12,640
maisha yangu yanaenda kuisha ndio mwisho

18
00:01:12,640 --> 00:01:14,759
ya kuwa na nia hakuna mtu kwenda

19
00:01:14,759 --> 00:01:16,479
kunijali hakuna mtu atakayeniangalia

20
00:01:16,479 --> 00:01:20,040
mimi kwa 50 kama inakuzuia

21
00:01:20,040 --> 00:01:24,079
unajua nilifikirije hapo

22
00:01:24,079 --> 00:01:27,040
hakuna uwakilishi tena wa wanawake

23
00:01:27,040 --> 00:01:28,840
zaidi ya 50 unajua katika sinema hiyo

24
00:01:28,840 --> 00:01:31,320
kutoweka nitafute mtu mpya ndani

25
00:01:31,320 --> 00:01:34,040
matangazo hupotea kwenye TV

26
00:01:34,040 --> 00:01:36,280
mitandao kuwasilisha habari wao

27
00:01:36,280 --> 00:01:38,399
kutoweka na ni kama kitu hicho

28
00:01:38,399 --> 00:01:41,240
anauambia ubongo wako kimyakimya unajua

29
00:01:41,240 --> 00:01:44,159
hiyo sawa baada ya kikomo hicho huna

30
00:01:44,159 --> 00:01:46,479
kuwepo tena na nikasema sawa mimi

31
00:01:46,479 --> 00:01:49,000
fikiria sasa ni wakati wa mimi kufanya kweli

32
00:01:49,000 --> 00:01:50,719
kitu na hiyo na nilitaka sana

33
00:01:50,719 --> 00:01:55,719
kufanya mayowe makubwa teke kubwa unajua

34
00:01:55,719 --> 00:01:58,600
katika mfumo jinsi ulivyo na wazo

35
00:01:58,600 --> 00:02:01,520
ilikuwa ni kusema njoo tuamke tunakuhitaji

36
00:02:01,520 --> 00:02:02,950
haja a

37
00:02:02,950 --> 00:02:06,779
[Muziki]

38
00:02:24,130 --> 00:02:26,599
[Muziki]

39
00:02:26,599 --> 00:02:33,080
mabadiliko ya hatua 5 4 3 2

40
00:02:33,800 --> 00:02:38,000
1 pia ilikuwa kwangu kuchunguza zaidi

41
00:02:38,000 --> 00:02:40,319
kuhusu filamu ya aina ambayo ni njia ninayoipenda

42
00:02:40,319 --> 00:02:42,560
kujieleza kama mtayarishaji wa filamu wewe

43
00:02:42,560 --> 00:02:45,239
kujua kutumia sauti ya kuona na kwenda wote

44
00:02:45,239 --> 00:02:47,920
njia ya mafanikio kama kutokuwa nayo

45
00:02:47,920 --> 00:02:49,840
mipaka jinsi nilivyo katika uhalisia wangu

46
00:02:49,840 --> 00:02:53,280
maisha kuwa na uwezo wa kwenda kwa visceral na

47
00:02:53,280 --> 00:02:57,280
sana Safari nyeti kukuinua hivyo

48
00:02:57,280 --> 00:03:00,519
hiki ndicho kilichokuja sawa

49
00:03:00,519 --> 00:03:04,200
hivyo wote wawili wakakutana pamoja na kuwa

50
00:03:04,200 --> 00:03:06,599
kamili

51
00:03:07,519 --> 00:03:10,680
mechi kwa hivyo tufanye moja zaidi ili twende

52
00:03:10,680 --> 00:03:13,959
tena twende tena sawa twende tena

53
00:03:13,959 --> 00:03:17,159
kwa hivyo twende tena ili twende tena na

54
00:03:17,159 --> 00:03:18,720
ndio

55
00:03:18,720 --> 00:03:22,959
na ninafanya kazi kwa njia ya kina sana niliyo nayo

56
00:03:22,959 --> 00:03:25,599
maono yenye nguvu tangu mwanzo tangu lini

57
00:03:25,599 --> 00:03:28,319
Ninaandika juu ya jinsi ninavyotaka kuigiza

58
00:03:28,319 --> 00:03:30,439
kuwa chini kidogo

59
00:03:30,439 --> 00:03:33,840
Ninaandika tungo zangu pia kwa sababu ninahariri

60
00:03:33,840 --> 00:03:37,519
kwa hivyo ninajua mapema kile ninachotaka

61
00:03:37,519 --> 00:03:41,400
kuunda jinsi ninataka kuunda kila risasi

62
00:03:41,400 --> 00:03:44,599
kila kitu ni super kina tatu

63
00:03:44,599 --> 00:03:49,120
mbili moja hatua

64
00:04:00,750 --> 00:04:05,680
[Muziki]

65
00:04:07,560 --> 00:04:10,360
Sikumjua Benjamin Kon kabla ya hii

66
00:04:10,360 --> 00:04:12,720
filamu na nilipokuwa nikitafuta DP I

67
00:04:12,720 --> 00:04:14,680
kumbuka filamu moja ambayo niliipenda sana

68
00:04:14,680 --> 00:04:16,639
upigaji picha ambao ulikuwa wa matumaini

69
00:04:16,639 --> 00:04:20,160
wanawake vijana nakumbuka nini mimi mara moja

70
00:04:20,160 --> 00:04:22,440
kupendwa na Ben ndivyo alivyoelewa

71
00:04:22,440 --> 00:04:25,040
script aliielewa filamu kweli

72
00:04:25,040 --> 00:04:27,440
kwa jinsi ilivyokuwa na ninakumbuka kitu

73
00:04:27,440 --> 00:04:29,759
kwamba aliniambia yeye ni kama Mungu wangu hivi ndivyo

74
00:04:29,759 --> 00:04:31,280
ni hivyo

75
00:04:31,280 --> 00:04:34,320
kichaa alitaka kufikia

76
00:04:34,320 --> 00:04:37,039
kile nilichokuwa nafikiria nisibadilishe

77
00:04:37,039 --> 00:04:41,000
lakini kwa kweli niende kwangu hii ndiyo

78
00:04:41,000 --> 00:04:43,720
kiungo bora ambacho unaweza kuwa nacho na DP wako

79
00:04:43,720 --> 00:04:46,320
kwa sababu unazungumza lugha moja

80
00:04:46,320 --> 00:04:47,840
unajua r show iko wapi tunafanyaje

81
00:04:47,840 --> 00:04:49,280
ipate hapa chini sisi wa aina hii

82
00:04:49,280 --> 00:04:52,720
inapaswa kuwa juu badala yake

83
00:04:52,720 --> 00:04:57,360
kuliko gorofa kwenye uh gorofa kwenye yeah

84
00:04:57,360 --> 00:05:00,280
mawasiliano ni rahisi sana kwa sababu

85
00:05:00,280 --> 00:05:04,720
ana akili karibu sawa kuliko

86
00:05:06,759 --> 00:05:09,080
yako yalikuwa mengi ya kiufundi

87
00:05:09,080 --> 00:05:11,479
changamoto kwenye filamu tunatumia nyingi sana

88
00:05:11,479 --> 00:05:14,479
mbinu tofauti na kamera ya kofia

89
00:05:14,479 --> 00:05:17,820
na kamera ya mkononi na

90
00:05:17,820 --> 00:05:23,360
[Muziki]

91
00:05:23,360 --> 00:05:28,039
crane yenye mwili mara mbili ili kushonwa tena

92
00:05:28,039 --> 00:05:30,800
kama risasi pamoja kutoka kwa hyper

93
00:05:30,800 --> 00:05:34,199
macro ndani ya macho kwa upana sana

94
00:05:34,199 --> 00:05:36,160
bila shaka sisi kutumia lenses tofauti katika

95
00:05:36,160 --> 00:05:38,479
mchakato na tunapaswa kufanya asiyeonekana

96
00:05:38,479 --> 00:05:43,479
Kata ili kuifanya ionekane kama sequin

97
00:05:52,680 --> 00:05:56,000
alipigwa risasi wakati Sue yuko kwenye lifti na yuko

98
00:05:56,000 --> 00:05:59,360
kuanza kuoza kwa povs ni

99
00:05:59,360 --> 00:06:01,800
kama mimi kuwa na kamera ya kofia na

100
00:06:01,800 --> 00:06:06,400
mavazi na mwili mara mbili kucheza

101
00:06:08,560 --> 00:06:11,280
mikono hivyo ni kama unajua watu wanne

102
00:06:11,280 --> 00:06:15,560
kwenye lifti ndogo tuliyo nayo

103
00:06:16,880 --> 00:06:21,800
imejengwa tayari kwa usiku wa leo hey tayari kwa

104
00:06:27,720 --> 00:06:31,560
kitendo cha usiku wa leo

105
00:06:37,160 --> 00:06:39,400
tangu mwanzo nilipoanza kuandika

106
00:06:39,400 --> 00:06:43,199
filamu nilijua kwamba nilihitaji na nilitaka

107
00:06:43,199 --> 00:06:46,280
kuwa na athari zote kuwa za vitendo

108
00:06:46,280 --> 00:06:49,080
na kufanywa kwa kweli kwa sababu movie ni

109
00:06:49,080 --> 00:06:52,120
kweli kuhusu Nyama na Mifupa ni a

110
00:06:52,120 --> 00:06:55,240
filamu kuhusu wanawake

111
00:06:55,840 --> 00:07:00,479
miili na kwangu kujenga ninachotaka

112
00:07:00,479 --> 00:07:02,800
jenga jinsi ninavyotaka kuigiza ninayo

113
00:07:02,800 --> 00:07:05,520
kuweza kuifanya kwa kweli kuwa nayo

114
00:07:05,520 --> 00:07:08,840
kitu ambapo naweza kuweka mikono yangu ndani

115
00:07:08,840 --> 00:07:11,360
ambapo naweza kucheza kwenye fremu kwa sababu

116
00:07:11,360 --> 00:07:13,759
pia napenda kutumia kama obsessive

117
00:07:13,759 --> 00:07:16,319
kutunga kwenda Kali na Kali zaidi na

118
00:07:16,319 --> 00:07:19,319
Kali zaidi

119
00:07:26,530 --> 00:07:30,080
[Muziki]

120
00:07:30,080 --> 00:07:33,120
pia nilijua hilo kwa waigizaji kuweza

121
00:07:33,120 --> 00:07:36,400
pamoja na kucheza na kitu ambacho ni

122
00:07:36,400 --> 00:07:38,680
real pia alikuwa anaenda kuwasaidia

123
00:07:38,680 --> 00:07:41,160
kwa kiasi kikubwa kupata hizo tofauti

124
00:07:41,160 --> 00:07:44,560
hatua zao

125
00:07:53,840 --> 00:07:57,039
wahusika hivyo nilijua kwamba chaguzi hizo

126
00:07:57,039 --> 00:08:00,680
walikuwa muhimu zaidi kufanya kabla

127
00:08:00,680 --> 00:08:03,440
kwa sababu maamuzi hayo yana athari

128
00:08:03,440 --> 00:08:05,440
maisha ya filamu yako unayajua

129
00:08:05,440 --> 00:08:07,639
kuathiri jinsi utakavyofanya

130
00:08:07,639 --> 00:08:09,159
namna utakavyoizalisha kwa njia

131
00:08:09,159 --> 00:08:12,440
utaitayarisha uh na ndivyo

132
00:08:12,440 --> 00:08:15,639
itaathiri sana kisanii

133
00:08:15,639 --> 00:08:18,360
matokeo ya filamu yako pia wakati mimi

134
00:08:18,360 --> 00:08:20,800
aliamua kufanya kazi na pop tulichukua mengi

135
00:08:20,800 --> 00:08:24,479
ya muda wa kufikiria ni mbinu gani sisi

136
00:08:24,479 --> 00:08:28,159
ningeweza kutumia kwa kila risasi kwa sababu nilikuwa na

137
00:08:28,159 --> 00:08:31,479
Sahihi sana orodha risasi ubao wa hadithi katika

138
00:08:31,479 --> 00:08:33,440
muda wa kile ninachotaka kuigiza kama mimi

139
00:08:33,440 --> 00:08:35,760
wanataka kurekodi kile kitakachobaki

140
00:08:35,760 --> 00:08:37,799
nje ya sura na kisha kama hatuoni

141
00:08:37,799 --> 00:08:39,760
mguu basi hatujengi mguu

142
00:08:39,760 --> 00:08:41,360
kwa sababu hatuhitaji kutumia pesa

143
00:08:41,360 --> 00:08:43,399
miguu ambayo tusingeiona ndivyo ilivyokuwa

144
00:08:43,399 --> 00:08:46,120
kimsingi kwa kila risasi kutafuta njia ya

145
00:08:46,120 --> 00:08:48,920
kufanya hivyo hivyo ni mifuko ngapi feki

146
00:08:48,920 --> 00:08:51,440
tunahitaji kwa sababu pia mara moja unatumia moja

147
00:08:51,440 --> 00:08:54,120
mfuko bandia kwa athari moja ni yake

148
00:08:54,120 --> 00:08:56,240
kuharibiwa na huwezi kuitumia kwa ajili ya

149
00:08:56,240 --> 00:08:58,440
ijayo sh muhimu zaidi ni kwamba sisi

150
00:08:58,440 --> 00:08:59,959
kwa kweli par

151
00:08:59,959 --> 00:09:02,680
kwa begi lake pia ilikuwa ikibuni yetu

152
00:09:02,680 --> 00:09:05,760
mbinu kwa sababu hakuna sheria

153
00:09:05,760 --> 00:09:07,440
hiyo inakuambia sawa wakati mtu yuko

154
00:09:07,440 --> 00:09:10,200
utapasuka na mgongo wako wazi

155
00:09:10,200 --> 00:09:11,680
inabidi ufanye hivyo kwa sababu

156
00:09:11,680 --> 00:09:16,440
kimsingi haijafanyika

157
00:09:19,370 --> 00:09:22,580
[Muziki]

158
00:09:35,959 --> 00:09:38,959
ndio

159
00:09:52,480 --> 00:09:57,920
ndio nzuri ah hatua

160
00:10:09,720 --> 00:10:11,920
na nadhani hiyo ndiyo ilikuwa umaalumu wa

161
00:10:11,920 --> 00:10:14,480
risasi hii sasa najua kuwa ninaipenda

162
00:10:14,480 --> 00:10:18,600
zaidi ni jinsi unavyofanya mambo yako mwenyewe jinsi gani

163
00:10:18,600 --> 00:10:23,480
unaunda ukweli wako mwenyewe

164
00:10:26,160 --> 00:10:29,120
zana T ya Taa ambayo sisi zingine

165
00:10:29,120 --> 00:10:32,000
kwa kweli ambayo ni kitu ambacho sisi

166
00:10:32,000 --> 00:10:34,760
ingeweza kufanya katika CGI lakini hiyo imefanya

167
00:10:34,760 --> 00:10:38,120
nishati tofauti kama unaweza

168
00:10:38,120 --> 00:10:40,920
kweli kama kuendesha kamera ndani

169
00:10:40,920 --> 00:10:43,120
hizo

170
00:10:46,200 --> 00:10:49,120
zilizopo na kuwa na wewe mwenyewe kuwa na uwezo

171
00:10:49,120 --> 00:10:51,560
fremu na uendeshe au uendeshe kifaa chako

172
00:10:51,560 --> 00:10:53,480
kama kwenda hapa kama hivyo na

173
00:10:53,480 --> 00:10:55,880
kupitia safari inatoa vile

174
00:10:55,880 --> 00:11:00,839
matokeo tofauti na nishati ya safu kama hiyo

175
00:11:00,839 --> 00:11:02,959
ambayo nadhani kweli kusambaza katika

176
00:11:02,959 --> 00:11:06,480
njia tofauti kwa

177
00:11:07,519 --> 00:11:09,480
watazamaji filamu inawahusu

178
00:11:09,480 --> 00:11:11,360
ishara unajua katika filamu kuna

179
00:11:11,360 --> 00:11:13,880
si mengi ya mazungumzo hivyo sinema yangu yote

180
00:11:13,880 --> 00:11:17,279
lugha kupita

181
00:11:26,600 --> 00:11:29,920
ishara na nguvu ya kuunda

182
00:11:29,920 --> 00:11:33,360
hisia hisia na hadithi nzima na

183
00:11:33,360 --> 00:11:36,399
risasi ya kimya kwa kurekodi eneo

184
00:11:36,399 --> 00:11:39,760
ambayo inaweza kusema mengi bila kulazimika

185
00:11:39,760 --> 00:11:42,920
niambie chochote hiyo ni Cinema hiyo

186
00:11:42,920 --> 00:11:46,120
njia pia napenda kujieleza

187
00:11:46,120 --> 00:11:49,320
na nadhani jinsi inavyoweza pia kuzungumza naye

188
00:11:49,320 --> 00:11:51,399
mtu yeyote kwa lugha yoyote ile

189
00:11:51,399 --> 00:11:57,040
nchi ni wewe

190
00:11:57,880 --> 00:12:00,600
moja nilijua kwamba njia ya Best

191
00:12:00,600 --> 00:12:04,279
kuwaambia hadithi yangu ilikuwa hopefully kupata

192
00:12:04,279 --> 00:12:06,839
mwigizaji ambaye ungekuwa unajua iconic

193
00:12:06,839 --> 00:12:09,240
mwigizaji ambaye angewakilisha kama

194
00:12:09,240 --> 00:12:11,839
nyota ni nini kuwa nyota

195
00:12:11,839 --> 00:12:14,079
kuabudiwa kuonekana kupendwa kwa sababu

196
00:12:14,079 --> 00:12:16,720
unatazamwa na tulipoanza

197
00:12:16,720 --> 00:12:19,079
kwanza kukutana na mimi nadhani mada

198
00:12:19,079 --> 00:12:21,160
yenyewe ndiyo tuliyohitaji kujadili

199
00:12:21,160 --> 00:12:23,199
kidogo kwa sababu ilikuwa wazi katika tano

200
00:12:23,199 --> 00:12:25,519
dakika kwamba ni kitu tulikuwa

201
00:12:25,519 --> 00:12:27,760
wote wawili waliishi kwa nguvu katika maisha yetu

202
00:12:27,760 --> 00:12:30,480
njia tofauti na kwangu zaidi

203
00:12:30,480 --> 00:12:33,720
Jambo kuu ni kumwambia kweli

204
00:12:33,720 --> 00:12:36,480
kwa kirefu ni nini mradi ulikuwa unaenda

205
00:12:36,480 --> 00:12:39,120
iwe ni filamu ya aina ambayo yeye

206
00:12:39,120 --> 00:12:41,720
alikuwa hajawahi kufanya kabla na hivyo

207
00:12:41,720 --> 00:12:44,279
inamaanisha vikwazo vingi vya kiufundi

208
00:12:44,279 --> 00:12:47,480
kwa sababu kama picha na sauti ina mengi

209
00:12:47,480 --> 00:12:49,839
kufanya pamoja na utendaji hivyo mimi

210
00:12:49,839 --> 00:12:51,600
alishiriki naye taswira nyingi

211
00:12:51,600 --> 00:12:53,519
akielezea ni nini utengenezaji wa filamu

212
00:12:53,519 --> 00:12:56,240
itakuwa ni kiasi gani ilipaswa kuwa

213
00:12:56,240 --> 00:12:58,720
kujitolea kwa maono ambayo yalikuwa kwenye

214
00:12:58,720 --> 00:13:01,320
script kwa sababu ni kila kitu kilicho

215
00:13:01,320 --> 00:13:04,199
kuunganishwa pamoja kufanya mambo ya

216
00:13:04,199 --> 00:13:07,360
kazi ya filamu na pia njia yetu

217
00:13:07,360 --> 00:13:09,320
risasi ilikuwa inaenda kupangwa hivyo

218
00:13:09,320 --> 00:13:12,040
haikuwa Mashine kubwa ya Hollywood tuliyokuwa nayo

219
00:13:12,040 --> 00:13:14,240
aina ya bajeti ndogo kwa kila kitu sisi

220
00:13:14,240 --> 00:13:16,480
ilibidi kufanya hivyo ilikuwa zaidi kuifanya katika

221
00:13:16,480 --> 00:13:18,839
njia ya indie na nilihitaji kuwa na uhakika kwamba

222
00:13:18,839 --> 00:13:21,600
alikuwa tayari kupiga hatua katika aina hiyo

223
00:13:21,600 --> 00:13:23,839
mradi na kweli nikagundua mtu

224
00:13:23,839 --> 00:13:26,680
ambaye alikuwa ndiyo mwamba na roll kwa njia na

225
00:13:26,680 --> 00:13:30,240
alijua jinsi ya kuchukua hatari sisi mwingine

226
00:13:30,240 --> 00:13:33,199
hata tulichofanya unanitoa

227
00:13:33,199 --> 00:13:36,639
mimi Poli inapaswa kuwa hapa wote

228
00:13:36,639 --> 00:13:39,240
sawa tufanye

229
00:13:39,240 --> 00:13:41,079
hiyo

230
00:13:41,079 --> 00:13:42,760
msalaba

231
00:13:42,760 --> 00:13:44,839
sukuma

232
00:13:44,839 --> 00:13:47,519
msalaba na hapo ndipo nadhani sisi sote

233
00:13:47,519 --> 00:13:50,160
tulielewa kuwa tunaweza kutengeneza filamu hiyo

234
00:13:50,160 --> 00:13:52,720
pamoja na tulikuwa tunaruka ndani

235
00:13:52,720 --> 00:13:55,399
mashua sawa bila shaka risasi 100

236
00:13:55,399 --> 00:13:57,360
siku ni risasi kubwa ni

237
00:13:57,360 --> 00:14:00,240
changamoto inachosha movie ni

238
00:14:00,240 --> 00:14:03,120
hisia katika viwango vingi um hivyo wao

239
00:14:03,120 --> 00:14:04,680
zingekuwa siku ngumu kwao

240
00:14:04,680 --> 00:14:06,600
ingekuwa siku na siku

241
00:14:06,600 --> 00:14:08,680
bila na nadhani yote hayo

242
00:14:08,680 --> 00:14:11,279
hayo mazungumzo ya awali kweli

243
00:14:11,279 --> 00:14:14,720
alituruhusu tushikamane na yeye amwamini

244
00:14:14,720 --> 00:14:18,839
mimi kama mkurugenzi wa kuendesha sinema na

245
00:14:18,839 --> 00:14:21,839
chukua unajua kwa wanawake wa marudio

246
00:14:21,839 --> 00:14:26,460
na waungwana hii ilikuwa V risasi

247
00:14:26,460 --> 00:14:28,240
[Muziki]

248
00:14:28,240 --> 00:14:35,000
[Makofi]

249
00:14:35,000 --> 00:14:42,950
[Muziki]

250
00:14:44,360 --> 00:14:46,279
Margaret katika maisha halisi hajali

251
00:14:46,279 --> 00:14:48,000
kuhusu jinsi anavyoonekana na yeye sivyo

252
00:14:48,000 --> 00:14:50,600
mdoli wa mtoto mchanga unayemjua kuwa unaona

253
00:14:50,600 --> 00:14:52,759
katika filamu alivutiwa sana

254
00:14:52,759 --> 00:14:56,120
ili kujua ni nani msichana niliyekuwa naye

255
00:14:56,120 --> 00:14:59,480
akilini kimwili kwa sehemu gani

256
00:14:59,480 --> 00:15:02,399
ndio sura niliyokua nayo

257
00:15:02,399 --> 00:15:05,079
iliyotolewa kwangu kama msichana kamili

258
00:15:05,079 --> 00:15:07,199
kufikia na hivyo tulijadili kuhusu hili

259
00:15:07,199 --> 00:15:10,800
aina ya Barbie Jessica Sungura msichana sexy

260
00:15:10,800 --> 00:15:13,600
na alipendezwa sana

261
00:15:13,600 --> 00:15:16,959
kumuumba msichana huyo ili ajitengeneze

262
00:15:16,959 --> 00:15:19,480
Sue ambayo haipo kabisa ndani yake kila siku

263
00:15:19,480 --> 00:15:22,480
maisha hivyo alijizoeza kila siku kama kichaa

264
00:15:22,480 --> 00:15:25,560
ili kuutengeneza mwili wake kweli tuliuumba kama

265
00:15:25,560 --> 00:15:27,959
matumbo bandia kumpa unajua

266
00:15:27,959 --> 00:15:30,720
hii super sexy curves sisi alifanya yake

267
00:15:30,720 --> 00:15:33,440
ugani wa nywele hivyo kimsingi yeye

268
00:15:33,440 --> 00:15:36,360
kweli imeunda hiyo

269
00:15:36,360 --> 00:15:39,360
fantasia

270
00:15:40,600 --> 00:15:43,399
mwenyewe ana nguvu hii wewe

271
00:15:43,399 --> 00:15:46,199
kujua Body Energy kwamba yeye mara moja

272
00:15:46,199 --> 00:15:49,199
kueneza

273
00:16:04,600 --> 00:16:07,480
Nadhani kuamka basi mimi kweli kama

274
00:16:07,480 --> 00:16:10,560
wewe kweli kana kwamba umepigwa na

275
00:16:10,560 --> 00:16:12,680
ya

276
00:16:14,640 --> 00:16:16,000
[Muziki]

277
00:16:16,000 --> 00:16:19,279
motor moja

278
00:16:19,279 --> 00:16:24,040
b na baada ya unaweza kufanya B bam

279
00:16:27,319 --> 00:16:31,560
bam unaanguka chini kama vile

280
00:16:31,560 --> 00:16:35,600
a walikuwa pamoja aina ya sawa

281
00:16:35,600 --> 00:16:37,880
nishati kwa sababu wote wawili ni super

282
00:16:37,880 --> 00:16:39,839
instinctive nadhani ilikuwa kamilifu

283
00:16:39,839 --> 00:16:45,520
mechi unajua kwa wao kuwa kama moja

284
00:16:45,520 --> 00:17:03,600
[Muziki]

285
00:17:03,600 --> 00:17:07,439
kwa dutu niliamua kuandaa

286
00:17:07,439 --> 00:17:09,799
risasi na closeups wote ambapo

287
00:17:09,799 --> 00:17:12,919
kusingekuwa na waigizaji wa kupangwa upya

288
00:17:12,919 --> 00:17:14,959
mwisho wa risasi kwa kitu

289
00:17:14,959 --> 00:17:17,880
tuliyoiita

290
00:17:17,959 --> 00:17:21,280
maabara ambayo ilikuwa kama uh inakaribia

291
00:17:21,280 --> 00:17:24,240
kama mons ziada lakini kwa super

292
00:17:24,240 --> 00:17:26,679
wafanyakazi waliopunguzwa kupiga risasi hizo zote

293
00:17:26,679 --> 00:17:29,000
kwamba kwangu ni muhimu sana kama

294
00:17:29,000 --> 00:17:32,240
karibu zaidi juu ya chakula kwenye mito

295
00:17:32,240 --> 00:17:34,720
juu ya kuruka ghiliba zote unajua

296
00:17:34,720 --> 00:17:38,160
ya bomba la sindano kama vile nilivyojidunga

297
00:17:38,160 --> 00:17:40,960
kwa kweli dutu na

298
00:17:40,960 --> 00:17:43,000
sindano kwenye mkono tafadhali nipe a

299
00:17:43,000 --> 00:17:44,690
bora verion

300
00:17:44,690 --> 00:17:46,799
[Muziki]

301
00:17:46,799 --> 00:17:49,360
tafadhali pia tulikuwa tunarekodi filamu zote

302
00:17:49,360 --> 00:17:51,280
karibu-ups juu ya bandia ambapo kuna

303
00:17:51,280 --> 00:17:55,520
hawakuwa waigizaji tena

304
00:17:59,450 --> 00:18:02,519
[Muziki]

305
00:18:11,030 --> 00:18:12,350
[Muziki]

306
00:18:12,350 --> 00:18:16,359
[Kicheko]

307
00:18:18,559 --> 00:18:21,600
kwa hivyo ilikuwa maabara ya kichaa kama unavyojua

308
00:18:21,600 --> 00:18:24,280
ya Profesa mambo kama sisi walikuwa katika

309
00:18:24,280 --> 00:18:29,520
mwisho wa EP seti ndogo sana

310
00:18:35,760 --> 00:18:38,280
ni kipande cha sakafu ya bafuni

311
00:18:38,280 --> 00:18:41,159
silaha bandia sakafuni wigi na wewe

312
00:18:41,159 --> 00:18:43,679
kujua kama kuchezea Prosthetics

313
00:18:43,679 --> 00:18:45,520
au chakula chote

314
00:18:45,520 --> 00:18:48,159
vipengele na tumeunda baadhi ya zaidi

315
00:18:48,159 --> 00:18:53,559
picha muhimu za sinema kama hizo

316
00:19:10,720 --> 00:19:13,919
pikipiki ambayo ni toy iliyopunguzwa

317
00:19:13,919 --> 00:19:16,640
kwamba tulijijenga na kujua jinsi gani

318
00:19:16,640 --> 00:19:19,120
tunaweza kuwa na ajali unajua kwenye

319
00:19:19,120 --> 00:19:21,799
kamera kwa hivyo nakumbuka kulikuwa na mtu wa pop

320
00:19:21,799 --> 00:19:24,200
kila siku ambaye alikuwa akifanya mtihani wa ajali na

321
00:19:24,200 --> 00:19:26,799
toy yake ndogo mpaka akafanikiwa kupata

322
00:19:26,799 --> 00:19:30,720
mfumo ambao ungefanya kazi

323
00:19:32,570 --> 00:19:36,619
[Muziki]

324
00:19:37,360 --> 00:19:40,960
kwa hiyo ilikuwa ni kichaa kidogo

325
00:19:40,960 --> 00:19:43,840
anga kwangu pia ndivyo ninavyopenda

326
00:19:43,840 --> 00:19:46,640
kufanya katika utengenezaji wa filamu ninapenda

327
00:19:46,640 --> 00:19:49,480
jaribio napenda kuweka mikono yangu ndani

328
00:19:49,480 --> 00:19:52,480
uchafu napenda kufanya stuff mwenyewe mbili

329
00:19:52,480 --> 00:19:55,159
moja

330
00:19:55,440 --> 00:19:59,240
nenda vile tulivyoipanga tukaitoa

331
00:19:59,240 --> 00:20:02,520
uhuru wa kuunda sheria ambazo

332
00:20:02,520 --> 00:20:04,679
filamu inahitajika kwa sababu bila hiyo sisi

333
00:20:04,679 --> 00:20:07,200
hatukuweza kufanya kila kitu ambacho sisi

334
00:20:07,200 --> 00:20:10,919
wamefanya kwenye sinema

335
00:20:36,080 --> 00:20:38,720
kwa hivyo tunapiga risasi kwenye

336
00:20:38,720 --> 00:20:42,280
maegesho ya Marin katika anti na tuko

337
00:20:42,280 --> 00:20:44,880
kwenda kuifanya kama Los ya ajabu

338
00:20:44,880 --> 00:20:50,480
Angeles Street uh uh uh uh

339
00:20:50,920 --> 00:21:21,470
[Muziki]

340
00:21:22,080 --> 00:21:24,640
kufanya uamuzi wa kupiga risasi nchini Ufaransa

341
00:21:24,640 --> 00:21:26,919
ilikuwa moja ya muhimu zaidi kwa

342
00:21:26,919 --> 00:21:28,000
filamu

343
00:21:28,000 --> 00:21:39,400
[Muziki]

344
00:21:43,480 --> 00:21:46,600
kwanza ya yote ananiruhusu kuwa nayo

345
00:21:46,600 --> 00:21:49,200
kama Uhuru uliokithiri ambao nilihitaji

346
00:21:49,200 --> 00:21:52,159
kuunda maono yangu kama ningeweza kufanya kazi

347
00:21:52,159 --> 00:21:55,400
na safari yangu na pia kwa sababu Ufaransa

348
00:21:55,400 --> 00:21:57,960
ni nchi ya Sinema kama tunapenda

349
00:21:57,960 --> 00:22:01,000
filamu Cruise the love film it's not a

350
00:22:01,000 --> 00:22:03,159
kazi tu kwao unajua wapo

351
00:22:03,159 --> 00:22:06,039
kweli shauku kuhusu jinsi ya kuunda

352
00:22:06,039 --> 00:22:09,240
sinema jinsi ya kuunda sanaa hivyo kwa wote

353
00:22:09,240 --> 00:22:11,640
Idara zinapenda kufikia kiwango cha

354
00:22:11,640 --> 00:22:14,600
ujinga ambao tunapaswa kufanya ulikuwa wa kweli

355
00:22:14,600 --> 00:22:17,559
changamoto lakini kazi halisi ya upendo na mimi

356
00:22:17,559 --> 00:22:19,559
Ninaamini kuwa ni muhimu sana wakati

357
00:22:19,559 --> 00:22:22,240
unatengeneza filamu ili kuzungukwa nayo

358
00:22:22,240 --> 00:22:25,080
watu wanaopenda Sinema kama wewe

359
00:22:25,080 --> 00:22:26,840
na jambo lingine linalopiga risasi

360
00:22:26,840 --> 00:22:30,039
Ufaransa ilikuwa ikiniletea ilikuwa uhuru

361
00:22:30,039 --> 00:22:32,640
na msisimko wa kutumia

362
00:22:32,640 --> 00:22:35,000
kizuizi cha kutokuwa katika hali halisi

363
00:22:35,000 --> 00:22:38,360
Hollywood lakini kuunda Hollywood yangu mwenyewe

364
00:22:38,360 --> 00:22:41,240
ambayo haingekuwa ukweli lakini wapi mimi

365
00:22:41,240 --> 00:22:45,640
ningetumia alama ambazo ningetumia

366
00:22:54,840 --> 00:22:59,080
sihitaji kuwa na l halisi

367
00:22:59,080 --> 00:23:01,840
ninachohitaji ni mti mmoja wa PM dhidi ya a

368
00:23:01,840 --> 00:23:05,400
anga ya bluu na picha hii ni rahisi sana

369
00:23:05,400 --> 00:23:08,840
yenye nguvu sana katika kile inachosema inasema ndiyo

370
00:23:08,840 --> 00:23:10,960
ni mahali pa ndoto ni mahali

371
00:23:10,960 --> 00:23:14,799
ya Furaha ni kitu ambacho

372
00:23:18,720 --> 00:23:21,840
huangaza na risasi moja tu ambayo wewe

373
00:23:21,840 --> 00:23:24,880
inaweza kupiga na kamera moja katika Limited

374
00:23:24,880 --> 00:23:27,600
wafanyakazi niletee huo uhuru ambao uko hivyo

375
00:23:27,600 --> 00:23:30,360
ubunifu kwamba naweza kutumia wengine wa

376
00:23:30,360 --> 00:23:34,520
pesa mahali pengine kuunda zingine

377
00:23:35,260 --> 00:23:37,640
[Muziki]

378
00:23:37,640 --> 00:23:41,640
vitu vya damu

379
00:23:42,220 --> 00:23:56,089
[Muziki]

380
00:24:01,370 --> 00:24:02,310
[Makofi]

381
00:24:02,310 --> 00:24:05,470
[Muziki]

382
00:24:07,290 --> 00:24:10,339
[Makofi]

383
00:24:13,750 --> 00:24:18,240
[Muziki]

384
00:24:24,300 --> 00:24:27,329
[Muziki]

385
00:24:28,000 --> 00:24:30,360
hiyo

386
00:24:34,200 --> 00:24:38,200
mwanaume acha

387
00:24:48,050 --> 00:24:59,410
[Muziki]

388
00:25:00,159 --> 00:25:02,200
mwisho wa risasi na

389
00:25:02,200 --> 00:25:06,520
damu niliyokuwa nimevaa unajua kofia

390
00:25:15,520 --> 00:25:21,200
cam wakati akionyesha damu kwenye

391
00:25:21,480 --> 00:25:24,600
watazamaji ili kuwa POV ya

392
00:25:24,600 --> 00:25:28,799
monster wakati huo

393
00:25:28,919 --> 00:25:31,150
sh

394
00:25:31,150 --> 00:25:35,229
[Makofi]

395
00:25:44,760 --> 00:25:48,760
sh ijayo

396
00:25:58,399 --> 00:26:01,640
fanya tena

397
00:26:24,010 --> 00:26:35,710
[Muziki]

398
00:26:35,760 --> 00:26:38,460
sana

399
00:26:38,460 --> 00:26:41,579
[Makofi]

400
00:26:42,410 --> 00:26:45,489
[Muziki]

401
00:26:45,950 --> 00:27:04,350
[Makofi]

402
00:27:04,350 --> 00:27:26,600
[Muziki]

403
00:27:26,600 --> 00:27:30,159
kwamba wewe

404
00:27:35,330 --> 00:27:36,970
[Makofi]

405
00:27:36,970 --> 00:27:40,940
[Muziki]

406
00:27:46,020 --> 00:27:47,960
[Muziki]

407
00:27:47,960 --> 00:27:50,399
ujumbe wa filamu kwangu kama wanawake

408
00:27:50,399 --> 00:27:53,360
wanapaswa kuwa huru kufanya chochote wanachotaka

409
00:27:53,360 --> 00:27:54,840
kwa miili yao unajua wanapaswa

410
00:27:54,840 --> 00:27:58,559
kuwa na uwezo wa kuwa mtanashati na sio wa kubadilika badilika

411
00:27:58,559 --> 00:28:01,440
badilisha iwe asili sio asili na sisi

412
00:28:01,440 --> 00:28:03,919
tuache tu kucomment tunapaswa

413
00:28:03,919 --> 00:28:05,799
acha tu kujali lakini sisi

414
00:28:05,799 --> 00:28:08,730
kwa bahati mbaya mbali sana na hilo

415
00:28:08,730 --> 00:28:12,150
[Muziki]